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Search resuls for: "Ben Kenigsberg"


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If there is value in seeing these events recapped, it is in the power of seeing the parents confront Jones in court. (Over two trials, in Texas and Connecticut, they won more than $1 billion in damages.) “The Truth vs. Alex Jones” offers a lesson in just how vicious and pervasive conspiracy theories can become and a chilling portrait of how little they may trouble their purveyors. The Truth vs. Alex JonesNot rated. Watch on Max.
Persons: Jones, Alissa Parker, Emilie’s, , Alex Jones ”, Alex Jones, Max Locations: Texas and Connecticut
The Oscar-nominated short films are being presented in three programs: live action, animation and documentary. Each program is reviewed below by a separate critic. Live ActionWhatever your takeaways from the live action section of this year’s Oscar-nominated short films, a good laugh is unlikely to be among them. Those Danes, though! Although, bathed in the sickly spill of the morgue’s fluorescents, no one’s complexion here is exactly glowing.
Persons: Oscar, Wes Anderson, Lasse Lyskjer, “ Knight, Fortune, Organizations: Danes
Three Great Documentaries to Stream
  + stars: | 2023-11-30 | by ( Ben Kenigsberg | ) www.nytimes.com   time to read: +2 min
Reviewing “A Married Couple” in The New York Times, Vincent Canby complained of the “unreality” the camera introduced in the couple’s behavior. Are Antoinette and Billy, unselfconscious about sharing intimate details and even appearing unclothed with the camera rolling, natural exhibitionists, or is the existence of a movie changing their relationship? The emotional volatility has been likened to that in John Cassavetes’s films, and Billy and Antoinette’s exchanges have a similar absurdist quality. “What we don’t know is whether we really hate one another or not,” Billy says near the end, in a diagnosis of their marriage. And as Antoinette picks at his chest hair and he strokes her nose, “A Married Couple” hints at a connection that a camera can’t see.
Persons: , Vincent Canby, Antoinette, Billy, Bogart, King, John Cassavetes’s, ” Billy Organizations: The New York Times Locations: The
(Dec. 22 in theaters)AQUAMAN AND THE LOST KINGDOM Jason Momoa has to form an alliance with his brother (Patrick Wilson) to save Atlantis. Amber Heard and Nicole Kidman return for this DC sequel, along with the director James Wan. (Dec. 22 in theaters)MIGRATION A family of ducks — the Mallards — do what a lot of American families do: fly south for a winter getaway. Mike White, a long way from “The White Lotus,” wrote the screenplay for this animated feature, which has the voices of Kumail Nanjiani, Elizabeth Banks, Awkwafina and Keegan-Michael Key, among others. (Dec. 22 in theaters)
Persons: Sydney Sweeney, Glen Powell, , ” Will Gluck, Jason Momoa, Patrick Wilson, Amber Heard, Nicole Kidman, James Wan, Sean Durkin, Von Erich, Zac Efron, Jeremy Allen White, Mike White, , Kumail Nanjiani, Elizabeth Banks, Awkwafina, Michael Key Organizations: Keegan
‘Priscilla’ Review: All Shook Up
  + stars: | 2023-10-26 | by ( Ben Kenigsberg | ) www.nytimes.com   time to read: +2 min
Eventually, he invites Priscilla to visit him, only to knock her out for two days with insomnia meds and then whisk her to Las Vegas, where, in a montage of gambling and boozing, Coppola shows Priscilla start to extend her hand for pills herself. For Priscilla, living with Elvis means living with his entourage. Coppola frames a shot of the actress looking out Graceland’s windows as if Priscilla were a Douglas Sirk heroine, trapped. It also brings “Priscilla” closer to Coppola’s aesthetic, freeing her from the literalism of a conventional biopic. The opening credits, which show Priscilla setting foot on a plush carpet and prepping her makeup, bounce along to a 1980 Ramones song.
Persons: Elvis, , Priscilla, mouthing Humphrey, Marlon Brando, meds, Coppola, , Tom Parker, Tom Hanks, Baz Luhrmann’s razzmatazz, Douglas, Priscilla ” Locations: United States, Las Vegas, Graceland
Here Are the Most Anticipated Movies of Fall 2023
  + stars: | 2023-09-08 | by ( Ben Kenigsberg | ) www.nytimes.com   time to read: +1 min
What’s the anatomy of a fall movie season? Here is a select list of features coming to theaters and streaming services beginning later this month. (Sept. 22 in theaters)FLORA AND SON An acoustic guitar helps bridge the gap between a mother (Eve Hewson) and her son (Orén Kinlan). John Carney (“Once”) wrote and directed. (Sept. 22 in theaters, Sept. 29 on Apple TV+)
Persons: , Martin Scorsese, Sofia Coppola, David Fincher, Justine Triet, Pedro Almodóvar, Wes Anderson, Morgan Neville, , Jeff Malmberg, Mike Veeck, Bill Veeck, Sylvester Stallone, Jason Statham, Dolph Lundgren, Megan Fox, Tony Jaa, Eve Hewson, Orén, Joseph Gordon, Levitt, John Carney, Organizations: Cannes Film, Chicago White Sox, Comiskey, Netflix, Apple
Stream These Three Great Documentaries
  + stars: | 2023-08-30 | by ( Ben Kenigsberg | ) www.nytimes.com   time to read: +2 min
Kennedy ran against his fellow senator Hubert H. Humphrey, of Minnesota, who during the events of “Primary” was campaigning only one state away from his home turf. His advantage is said to be with rural voters; Kennedy has strength in cities. The film shows Humphrey pitching a room of farmers on how the Senate votes he’s taken aren’t popular in Boston or New York. “Primary” may end with its two candidates on roughly even national standing from where they started, but it inaugurated the direct-cinema movement. Pennebaker as cameramen — went on to make groundbreaking documentaries of their own.
Persons: , John F, Kennedy, Hubert H, Humphrey, , he’s, Frank Sinatra’s “, Drew, Albert Maysles, Pennebaker, Max Organizations: Democratic, Catholic, University of Alabama, Apple, Google Locations: Wisconsin, Massachusetts, Minnesota, Boston, New York,
In the pre-internet days, without the distributor, there wasn’t much way to check in on the film’s afterlife, she explained. They begin a relationship and, with some reluctance, she joins his band covering American hits. Although Kuzui wrote the screenplay with her friend Lynn Grossman, “Tokyo Pop” was made with a mostly Japanese crew — unusual at the time for any American director, let alone a woman. “Foreigners in Japan — they were not held to, and they still aren’t held to, exactly the same rules that Japanese people follow,” Kuzui said. If she was going to be successful as a director, she felt, it couldn’t be with that sort of advantage.
Persons: , Kaz Kuzui, Hamilton, Yutaka Tadokoro, Kuzui, Lynn Grossman, , she’s, Japan —, ” Kuzui Organizations: Blockbuster, Tokyo, Foreigners Locations: Great Neck, N.Y, Japanese, Wendy, New York, Japan
‘Klondike’ Review: Domestic Violence
  + stars: | 2023-08-03 | by ( Ben Kenigsberg | ) www.nytimes.com   time to read: +1 min
“Klondike” takes place nine years ago and had its premiere one month before Russia’s invasion of Ukraine in 2022, but its relevance hasn’t dimmed. It is set in the Donetsk region of eastern Ukraine in July 2014, when an antiaircraft missile downed Malaysia Airlines Flight 17, killing the 298 people on board. Last year, a Dutch court handed down three convictions in the case. That crash occurs about 20 minutes into “Klondike,” and it’s actually the second major act of violence in the film. The dwelling will remain open to the elements while Irka and Tolik continue to live there, despite the hostilities outside.
Persons: it’s, Shadrin, Irka, Oksana Cherkashyna Organizations: Malaysia Airlines Locations: Ukraine, Donetsk,
WHITE BIRD R.J. Palacio’s novel “Wonder” was adapted into a movie nearly six years ago. In this film, based on a follow-up book, the bully (Bryce Gheisar) of the first story learns about intolerance from his grandmother (Helen Mirren), a Holocaust survivor who shares her wartime experiences with him. (Aug. 25 in theaters)SCRAPPER A girl (Lola Campbell) is resourcefully getting by on her own after her mother’s death when her father (Harris Dickinson) returns. Charlotte Regan wrote and directed. (Aug. 25 in theaters)
Meet this year’s Cannes jury.
  + stars: | 2023-05-16 | by ( Ben Kenigsberg | ) www.nytimes.com   time to read: 1 min
The Swedish director Ruben Ostlund has won the Palme d’Or twice — first for “The Square” in 2017, then last year for “Triangle of Sadness.” This year, he’s the president of the jury that decides who gets that top prize. Ostlund told The New York Times that he planned to have “a very Swedish approach when it comes to running the jury,” adding, “It will be a democracy.”At a news conference on Tuesday, he said that the jury didn’t have many rules. “One thing is that this will be the first year in the history of the Cannes Film Festival when the publicists will have no rumors to tell to each other,” Ostlund said. In Ostlund’s films, which skewer class and social hypocrisies, any character who made a vow like that would wind up doing the opposite. But don’t expect the top prizewinner or any of the other awards to be his choices alone.
“One thing is that this will be the first year in the history of the Cannes Film Festival when the publicists will have no rumors to tell to each other,” Ostlund said. In Ostlund’s films, which skewer class and social hypocrisies, any character who made a vow like that would wind up doing the opposite. But don’t expect the top prizewinner or any of the other awards to be his choices alone. Damián Szifron, from Argentina, is best known for his comic anthology feature “Wild Tales,” which showed in competition in 2014. And the Moroccan filmmaker Maryam Touzani was here last year with “The Blue Caftan,” which showed in the festival’s Un Certain Regard section.
“Still” certainly doesn’t sugarcoat Fox’s life with Parkinson’s. At another point, a makeup artist gives him a touch-up because a fall has broken bones in his face. But such moments are reminders of just how much any movie would necessarily leave unseen. Marty McFly emerges as an almost autobiographical creation, because the making of “Back to the Future” (1985) required Fox to engage in a bit of temporal dislocation himself. To fulfill his obligations to the sitcom “Family Ties” while making the movie, he had to shuttle between sets, with little sleep in between.
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